Once again, to see where on the timeline the sound clip ends, you may have to INSERT FRAMES after each sound keyframe. Add enough frames so you can see the end of the waveform display. Notice how the waveform of the intro track ends perfectly at the end of frame 48, with no extra space. And notice that the spike on the sync track displays perfectly at the start of frame 49 {figure 5}. This is due to the precise timing of Sound Family components and selection of an optimized frame rate (see "Dealing With Seams" below).

On Frame 49 of track A, INSERT KEYFRAME and add the sound Spankin_A.aif {figure 5}. Again, make sure you are setting the SYNC METHOD to EVENT. Set the LOOP parameter to FOUR (4). {Follow this same procedure as we add more audio tracks}