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1522 True Type Fonts
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That little planet just past the Milky Way and the third on your right, or should that be my right.
The latest in the TV network gameshow series. They send out three contestants, the one who picks the most Billy's off the street and brings them back to the studio wins!
The taper was so minute, unless Alfred had had it brought to his attention he would never have noticed it. And the thing is, if he hadn't of had it brought to his attention he probably wouldn't have spent so much time lying awake at nights wondering why they needed such a small taper for no apparent reason.
Adapted from a reproduction in an old type specimen book. It was called "Quasi-Japanese" there. Although it does have that brush thing going on, one short word is plenty to set at a time in this font. Includes caps only. I can't think what the numbers would even look like!
Have mercy on me sir...
He moved off the stoop, his platform shoes slapping a groovy beat against the pavement, his flares swished around his ankles in accompaniment. The collar of his shirt flared wide and revealed an abundant growth of chest hair. And the crowning glory of the whole ensemble was the three foot high afro, which threw an imposing shadow onto the farside of the street. He was a man after his time, and such men are always laughed at, and this man was no exception.
Relaxing on chrome.
Jumbled, but still screams at the top of it's lungs.
Holds it's head up high.
"Sci Fied, its a terrible way to go, the pain must have been excruicating. You really wouldn't wish it upon anyone, not even your mother-in-law." The two detectives stood over the twisted and deformed corpse at their feet, as the theme song from Star Trek played inconspicuously in the background.
This one was adapted from an older, stencil-printed Ouija® board. The printing was fairly crude, so I kept the texture. What really appealed to me is how similar the stencil gaps and the spaces between the letters were, the letters seem to break into pieces. Font includes only the characters that appeared on the original board.
My digital interpretation of SOLEMNIS, an analog font by Günter Gerhard Lange, 1952. I was unable to find a digital version of this distinctive font, and was eager to work with it. So I drew this one afresh. The name is intended to suggest the original without infringing on any trademarks. This is an uncial (single case) font in which the letterforms favor the capital versions (except d, h, i, k, p, q, y). It has a calligraphic feel, vaguely Hebrew in the squareness of the forms and the weight of the horizontal strokes. Font includes letters & numbers as shown.
The writers hands sailed in a whirling flurry of fingers as he poured forth all his creative forces into the simple machine. The keys clattered in time with the mans ideas as they issued forth. Abruptly the tapping stopped, and the flurrying fingers came to rest. The writer's eyes scanned the stark black words printed on the paper. He ripped the sheet from the type writer, screwed it into a tight ball and threw it in the corner with the ever increasing pile of papers.
Based on that sublime cartoon show Thundercats!
