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Fonts » Sans Serif : Page 10
Treat you like a child.
They don't believe me.
The night is young.
Latin-ised version of cyrillic stencil lettering from 1930's/40's.
Bold techno-style font.
Inspired by Neville Brody's Blur, I designed this decorative font.
Franklin gothic heavy inspired me to design and create GF Vienna heavy. It looks best at negative spacing.
Finally, I made a font that shows I have some idea of what proportions are. Sometimes I pretend I know what I'm doing . . . To add to the irony of having it "squared," I didn't do numbers. If enough people request the addition of numbers, I'll provide them.
Inspired by an old woodtype font called Jubilee in one reference, Gothic Bold in another, and Skidoo Caps in a third. My first version was autotraced and rather bumpy. When I lost that one, I remade it, this time cleanly drawing each letter and adding a lowercase and separate small caps font.Includes two cases in each font, numbers, punctuation, and international characters.
Inspired by the old Mac system font Chicago. Although it was originally designed for bitmap use on-screen, it's suprising how often it is used in print and online graphics. Problem is, nothing really goes with it.
Adapted from the work of L.A. artist Ed Ruscha. His work is most often paintings of words: a single word, found language, and the like. This is one of the styles he's used. It's precise but awkward and looks like the letters an obsessive amateur signpainter would make with masking tape--of uniform width but curious formation.
